Cracks in beaded face frames
From the original questioner:
We could, but we don't have any equipment for making the notch in the frame for the mating piece. Does anyone have a technique for making this notch? Does anyone have a good jig to use on the router or table saw?
From contributor E:
I don't know how good an idea it is, but what about miter cutting the stiles just as far as the bead, more like dog-eared than mitered? Then maybe use one of those moulding shears to notch the rails to match. I thought about using a router table (two) - one with a cove, the other with a round over, but couldn't work out the details without trying it. For me, that would not be an easy task, as I don't have the equipment to make the stock.
From contributor P:
When I have say in the design of my beaded frames, I use a channel bead instead of just a bead proud of the frame. The channel is just a rabbet milled on the bead. It attaches in the same manner. In some ways it is more forgiving to install. I like the way it looks, as it adds much to the appeal to the cabinet. A little more care is required when finishing the channel.
From the original questioner:
Contributor P, I think we are using the same thing as you. Our bead has a 1/4" radius bead and then a 1/16" flat on the side that goes against the frame. This is where the crack will sometimes appear. It doesn't really bother me, but it bothers my partner enough to want to caulk it (on painted frames only, of course).
From contributor P:
The flat is actually .09 to .12 below the surface of the frame, thus forming a channel.
This design also lends itself well to curved rail frames.
We build all beaded face frames with the bead profile in the stock, and have built a jig that will jack miter the stiles and it is fairly simple. I had a set of 2 1/4" knives for my shaper ground to mill the bead and surface the stock (same size as yours - 1/4" with 1/16" flat) so that the bead is 1/16" deeper than the surface. Then I take my two jigs and set them up on the table.
The first jig is for the stiles and has stops for the corresponding rails, so I can clamp the two matching stiles back to back in the jig and then take a trim router (it is much easier to work with) with a clear rectangular base and a 45 degree chamfer bit (with the bearing removed and the post ground off so it will work as a bottom clearing bit-> \_/ ) then carefully start nibbling and climb cutting (to stop tearout) as I cut the miters for the top rail, center rail and bottom rail.
The second jig cuts the rails (which could also be done on a chopsaw). It consists of a fence with another trim router mounted horizontally on a pivot at one end at a 45 degree angle with a 3/4" straight flute bit, so when the end of the rail is inserted, you just push down on the router and it cuts the miter. The beauty of this is that if you run all of your center rail stock on edge through a planer first to maintain consistent width, you can just flip the rail upside down and cut the other miter and still have a perfect joint every time. This method has become quite efficient for me, even with clear cherry.
Below is the second jig for rails. These are a tad crude but have given me very good results. I plan to rebuild them with better stop fences of aluminum and acrylic for better changeover time for different kitchens. The stile jig is set up for upper and lower face frames at the same time (48"long), so after first-time setup, every frame can be done without changing the stop/fences. If there is an oddball, I just remove the end stop and shift the stile as needed.
In my opinion it is the "flat" portion of the bead creating a shadow line that has all the appeal. If it wasn't for the flat section, you might as well just run a 1/4" roundover on the face frames and be done with it.
I have done beaded frames using a combination of both applied and molded frames, mostly for projects like entertainment centers and such where I have doors on one half and adj shelving, etc. on the same unit. I would mold the bead into the frames and then rip the bead off on the stiles of the door areas, stopping the rip at a 45 miter created with a radial arm set to the 1/4" depth. The rails (top, bottom and center) would have the bead clip off on a 45 using Lion trimmer (a chop saw could also be used). The only applied bead is then the stile section where the doors are located. This system allows me to avoid the center rail to stile dilemma and also the only pin nails used are covered by the doors.
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Comment from contributor D:
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