Working with Grain when Painting Ash

      You can use a grain filler to achieve a uniform finish, or try other techniques to emphasize the grain. April 24, 2014

I have to paint on white 2 inch wide ash frames and I am applying two coat of Aqualente water base white pigmented, but the paint doesn't penetrate the textured grain. I know it's possible to fill the grain, but I would like to avoid that. Any suggestions?

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Forum Responses
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From contributor M

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If you want a perfectly smooth surface, you have to fill it. There are a number of ways you can go about this. Of course you could continue with the Aqualente, and after applying and sanding down 8 coats, you might have managed to fill the grain. That is not very practical or very cost effective. You can fill the grain easiest with thinned down joint compound, sand it flush, prime and topcoat.

From contributor P

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I agree with the above advice to fill the wood pores with a suitable filler material (there are a number of choices). I find it's easiest to do this after the first coat of primer.

For your bag of tricks, don't forget about this open pore effect. Though you don't want it in this application, in the future you can use it in different ways to produce custom finishes. For example, you can tint it any color you like and thin the primer/paint to make it translucent, then give it a protective clear coat. It looks like stain that did not fill the pores. I've seen this look on some imported furniture with a pickled finish (they used rubber wood).

Another approach is to sand the paint/primer smooth, glaze over it, and then apply a protective clear coat. Again, you can tint it any color you want and use any color glaze you want. I did both of the samples with variations of this technique.

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7/21 #5: Paint ash ...
From contributor M

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Sadly this problem brings to light the problem finishers like me have always faced. Fixing cabinetmakers, architect's or designer's choices or materials. There really is no good reason to use ash in this application, none that I can think of.

It's a beautiful wood with lots of possibilities, as Paul has pointed out. I recently did a kitchen of ash. It was bleached then sealed, then glazed with a bluish tone, sealed again. Then glazed with a purplish tone, sealed again, then the final glaze of white was applied. It was then topcoated. It was a strange color combination that produced a very nice off white, with different highlights, but it worked and the architect was truly happy. I use a product from Becker that has a max build of 17 mils before failure.

The choices to get a smooth surface are far too numerous to list. I would either use joint compound or Bondo thinned down with lacquer thinner. I usually apply my fillers prior to any primers. I like the way they sand better. As opposed to sanding the primer along with the filler. But using maple or poplar would have been so much easier.

From contributor R:
Thin Agualente primer enough to get into grain when sprayed and it might take a couple coats. Scuff sand with 320 and spray on your Agualente topcoats. The primer will help you on this project.

From contributor R:
Out of curiosity, how was the job specified and how was it bid? Did they give you any samples to match it to or did you give them any samples of what the wood would look like when painted as bid?

From contributor N:
I think what you are experiencing is the surface tension of the waterbase causes it to pool up around the pores. I never sprayed ash but have had this problem on oak with water base clear coats. Try spraying a light coat of de-waxed shellac first or Bin pigmented shellac. That should fix the problem.

From contributor R:
Can you hold off on the finishing until you get an in hand sample? It's sure to add cost to your bid if the sample does indeed indicate a full fill finish. Can you change over to a different type of finish besides the waterbased one or are you locked in to the Aqualente? If you can block sand the ash with, say, 100 or 120, you will reduce the depth of the pores and change the shape of them from a (U) to a (V).

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